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Swedish-Georgian writer-director Levan Akin returns with his third feature, a politically charged coming-of-age drama about a dancer in Tbilisi, Georgia, who slowly comes to terms with what it means to be gay within a traditional culture of dance in a staunchly conservative country. For the sake of avoiding potential major studio publicity stunts and conjecture on filmmakers’ purported sexual orientation, all of the films on this list were chosen because they have confirmed queer characters and/or plotlines central to the film. But there’s plenty to look forward to outside of that.
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So, there’s a lot of ground to be gained when it comes to widespread embrace and moving past falsely based corporatization of queerness. Of course, conglomerates like Disney (which assumedly still have too many outdated traditionalists in power to take significant steps forward) are trying to get the best of both worlds by touting a background kiss between two women in Star Wars: The Rise of Skywalker as if they made the next fucking Brokeback Mountain. More gay, trans, lesbian, and other queer projects are being bought at film festivals, greenlit by major studios, distributed to wider audiences, and celebrated by greater masses. As a more conservative, traditional world learns to embrace a beautiful reality in which anyone can love anyone, Hollywood seems to be revving its engines in anticipation (and by Hollywood, I mean Ryan Murphy, but we’ll get to that later). Portrait of a Lady on Fire, Wild Nights with Emily, Pain and Glory, Booksmart, and End of the Century are just a handful that prove the point. Queer film had quite the showing in 2019. Follow along as we explore all the things that have us mildly hopeful in the new year.